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Answer: |
Letís
start at the beginningÖ Weíll talk lowest quality
video signal transmission to highest quality. At the
bottom of the video connection food chain is the lowly
composite video connection. This implies that all the
video information is lumped into one encoded signal by
your source (say, a satellite receiver) and sent down
the lone wire to your display monitor. Although the
lowest in quality, it is also by far, the most common
way to send video signals in todayís average consumer
electronics. This connection requires the monitor on the
other end to have an NTSC decoder built into it (NTSC is
our current video standard here in the USA).
Consequently, this connection can only be used for the
NTSC standard ñ it simply doesnít have the necessary
bandwidth to provide a higher quality signal
transmission.
The
next step up the chain is S-Video. This is a dual coax
type system (even though thereís only one outer jacket
in the typical S-Video cable) that allows the source to
separate the luminance info (blacks and whites) from the
chrominance (color info). By separating these two
primary signal ingredients, the quality rises
significantly, providing much improved color rendition
and saturation, and better quality blacks and white with
more accurate tracking in contrasted scenes. Despite
these improvements, a two wire connection is still
severely limited in bandwidth, so this connection is
relegated to NTSC use as well.
The
next one up the ladder is yet another NTSC standard but
is now a 3 wire connection and also the ultimate for
consumer equipment (RGBHV is available on broadcast
equipment, but thatís a topic for another day). This
is the Y, Cr, Cb connection. As you might imagine, it
breaks the job up one more time, providing the luminance
on the Y cable, the R-y for blue info, and the B-y for
the red info. The green (notice that the signal is
referenced to the three primary colors that make up all
video colors) is sent along with luminance on the Y
cable. This connection standard gives the best possible
color accuracy and blacks to whites in todayís
consumer electronics.
From
here we move into the high resolution connections. At
the bottom of this range is another 3 wire connection
called Y, Pr, Pb. This is the standard for all DTV
formats, set forth by the ATSC (read that, HDTV
governing organization). It is quite similar to the Y,
Cr, Cb format for NTSC video.
The
next step is to move away from signals that need any
kind of signal decoder and start delivering the actual
raw red, green, blue, and sync (the signal that
instructs the monitor on how to scan the image) info
separately. The lowest quality way to do this is RGsB,
wherein the red info is sent down one coaxial cable, the
blue down another, and the green info, combined with the
sync info is sent down the 3rd wire.
To
improve upon this we simply need to break out the sync
information and send that down itís own wire. Hence,
RGBS, with S meaning composite sync. Composite sync
implies that both the horizontal line and the vertical
refresh timing pulses are mixed together. Obviously, the
RGsB mentioned earlier is a composite type sync
configuration as well.
Drum
roll pleaseÖ.The ultimate connection possible for the
highest resolution sources available isÖ.RGBHV. As you
mightíve guessed, this is, again, red, green, blue,
then the horizontal timing pulse (H sync) gets itís
own wire, followed by the vertical refresh (V sync)
riding down itís own wire as well. And there you have
it ñ a connection that is exceedingly high in
bandwidth capability that can pass anything you care to
throw at it.
One
last note: these are all known as ìAnalogî wiring
formats. The next step up the signal transmission food
chain is DVI (a multi-pin digital D-sub connection
favored by the movie houses due to the ability to send
signals down the additional wires to shut off the
digital signal ñ new-age macrovision!), followed by
the absolute ultimate, which is SD, or Serial Digital.
SD is a pure, high speed digital transmission medium
that would give the ultimate in video reproduction when
connected to a monitor with the corresponding SD input
(like DILA or DLP), maintaining the signal in the
digital domain all the way through until the final light
output of the projector. Unfortunately, weíll probably
never see this in consumer grade equipment, due to the
ease in which to make perfect copies. There is one other
digital signal medium called firewire. This is
essentially an optical rendition of the SD, which uses a
coaxial type wire, while firewire uses an optical
connection. Unfortunately, it is doomed to the same
probable fate as SD. |